{"id":89,"date":"2012-09-22T08:30:39","date_gmt":"2012-09-22T08:30:39","guid":{"rendered":"http:\/\/tuchacek.net\/?page_id=89"},"modified":"2013-09-20T20:41:56","modified_gmt":"2013-09-20T20:41:56","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/tuchacek.net\/en\/bibliography\/","title":{"rendered":"bibliography"},"content":{"rendered":"\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2012<\/span><\/span><\/td>\nTempor\u00e4re Pr\u00e4senzen – Freie Energien, in: Eindeutigkeiten Sprengen – Subverting Disambiguities, Shedhalle Z\u00fcrich<\/span><\/span><\/td>\n<\/tr>\n
2010<\/span><\/span><\/td>\nhuwwara, anybody looking in: My War, participation in an age of conflict, Fact Liverpool and Edith Russ Haus Oldenburg, catalogue Kehrer<\/span><\/span>Opaque Presence Manual of Latent Invisibilities, Andreas Broeckmann and knowbotic research, diaphanes<\/span><\/span><\/td>\n<\/tr>\n
2009<\/span><\/span><\/td>\nmy Black Cat in: Enter Action Digital Art Now, Aros Museum, Aarhus Kunstmuseum, catalogue<\/span><\/span>Be prepared! tiger! in: El Angel de la Historia, Laboral, Centro de Arte, Gijon 2009, catalogue<\/span><\/span><\/td>\n<\/tr>\n
2008<\/span><\/span><\/td>\nNaked Bandit in: \u201cSynthetic Times\u201d, National Museum of China, Beijing; The MIT Press, Masachusetts, catalogue<\/span><\/span>Be prepared! tiger! In: \u201cConspire\u201d, Transmediale Berlin, 2008<\/span><\/span><\/td>\n<\/tr>\n
2007<\/span><\/span><\/td>\nBlackBenzRace in: Kunst und \u00d6ffentlichkeit Kritische Praxis der Kunst im Stadtraum Z\u00fcrich Herausgegeben von Christoph Schenker und Michael Hiltbrunner, JRP|Ringier Z\u00fcrich <\/span><\/span><\/td>\n<\/tr>\n
2005<\/span><\/span><\/td>\nNaked Bandit in: Mapping new territories. Schweizer Medienkunst international = Art media suisse international = Swiss media art international. Basel, Christoph Merian Verlag<\/span><\/span>Aminima, volume12, new media actual art, Barcelona<\/span><\/span>SchnittStellen Herausgegeben von Schade, Sieber, Tholen. Basel <\/span><\/span><\/p>\n

aRt&D; Research and Development in Art, Ed. Anne Nighten, V2 Rotterdam<\/span><\/span><\/p>\n

Under Fire.2: The Organization and Representation of Violence, Ed. Jordan Crandall, Rotterdam: Witte de With<\/span><\/span><\/p>\n

Sarai READER 05: BARE ACTS, Editors: Monica Narula, Shuddhabrata Sengupta, Jeebesh Bagchi + Geert, Lovink Guest Editor: Lawrence Liang; Delhi [cc] Aminima, Madrid, Naked Bandit,<\/span><\/span><\/p>\n

Transcoding the sovereign, knowbotic research, Eigenverlag<\/span><\/span><\/td>\n<\/tr>\n

2004<\/span><\/span><\/td>\nLiebesgr\u00fcsse aus Odessa f\u00fcr\/for\/a Peter Weibel, Merve Verlag Berlin
\nKlangr\u00e4ume der Kunst, Peter Kiefer, Kehrer Verlag
\n<\/span><\/span><\/td>\n<\/tr>\n
2002<\/span><\/span><\/td>\n\u201cCODES BAD GUYS SPACE\u201d in Transurbanism, ed. V2\/NAI, Rotterdam<\/span><\/span>\u201cConnective Force Attack\u201d, in Aussendienst, Hg. Kulturbeh\u00f6rde Hamburg, Modo Verlag Freiburg, Deutschland<\/span><\/span>\u201dUrban Agency- Making Interfaces inflammable\u201d in Designing for a digital World, ed. Neal Leach, Wiley-Academy, London Royal Architecture Institute<\/span><\/span><\/td>\n<\/tr>\n
2001<\/span><\/span><\/td>\nInteraction-artisctic practice in the network, ed. Eyebeam Atelier, Jorden Crandall, NY<\/span><\/span>\u201dF\u00fcr eine k\u00fcnstlerische Praxis mit Medien\u201d, in Kunst und Interkontextualit\u00e4t, Ed. B\u00fchler, Koch, Salon Verlag K\u00f6ln<\/span><\/span>\u201dIO_dencies\u201d in net_condition, Ed. Druckrey\/Weibel, MIT Press <\/span><\/span><\/p>\n

IO_dencies, questioning urbanity, CD_ROM, ed. KR\/HGKZ Zuerich<\/span><\/span><\/td>\n<\/tr>\n

2000<\/span><\/span><\/td>\n\u201cslamming\u201d in: Medien, Kunst, Interaktion (80er, 90er Jahre), Ed. Frieling, Daniels; ZKM Karlsruhe, Goethe Institut<\/span><\/span>Wirksamkeitskonstruktionen, mit Andreas Broeckmann in: Heute ist Morgen, Ed. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland<\/span><\/span><\/td>\n<\/tr>\n
1999<\/span><\/span><\/td>\n\u201dIO-lavoro immatriale\u201d in: Offene Handlungsfelder, Open Practices, Ed. Peter Weibel, Ecke Bonk; DuMont Verlag K\u00f6ln<\/span><\/span>Knowbotic Research in: Art at the turn of the Millenium; Riemschneider, Grosenik (Hg), Taschen K\u00f6ln<\/span><\/span>\u201dIO_Ruhrgebiet\u201d in: Connected Cities, Kunstprozesse im urbanen Netz, Lehmbruck Museum; Hantje Cantz Verlag (Ausstellungskat.)<\/span><\/span><\/td>\n<\/tr>\n
1998<\/span><\/span><\/td>\n\u201cIO_dencies, questioning urbanity\u201d in \u201cVirtual Dimension-Architecture, Representation and Crash Culture\u201d, Princeton Architectural Press, Ed. J. Beckmann<\/span><\/span>\u201cIO_dencies, questioning urbanity\u201d , Artlab Tokyo (Ausstellungskatalog)<\/span><\/span>C. H\u00fcbler, Sprache und Wahrnehmung an Schnittstellen zwischen Maschinen und Menschen Gespr\u00e4ch; in: Sinn der Sinne, Schriftenreihe Forum der Kunst- und Ausstellungshalle Bonn (Hg.)<\/span><\/span><\/td>\n<\/tr>\n
1997<\/span><\/span><\/td>\n\u2018Dialogue with the Knowbotic South, in : Jenseits von Kunst, Peter Weibel (Hg.), Wien<\/span><\/span>\u2018Non-Locations \/ Event: Under Construction\u2019, in: Interfacing Realities Hrsg: V2, Rotterdam <\/span><\/span>\u2018The Urban as a Field of Action\u2019; in: Technomorphica, hrsg. v. V2, Rotterdam<\/span><\/span><\/p>\n

Discovering Cyber Antarctic, in: Digital Delirium, hrsg. v. A. und M-L. Kroker<\/span><\/span><\/td>\n<\/tr>\n

1996<\/span><\/span><\/td>\n\u2018Computer Aided Natur\u2019- Knowbots und Navigationen Hans Ulrich Reck und KR,; in: Lab 2, hrsg: KHM K\u00f6ln<\/span><\/span>\u2018Postorganic Immortality\u2019, in: \u2018die Zukunft des K\u00f6rpers\u2019 ,Kunstforum Bd 133<\/span><\/span>\u2018Virtuality and Subjektivity (mem_brane)\u2019, in: Revue virtuelle, Centre George Pompidou<\/span><\/span><\/td>\n<\/tr>\n
1995<\/span><\/span><\/td>\n\u2019Der Trick des Descartes\u2019; Klaus Peter Dencker und knowbotic research, in: Medienkunstpreis, ZKM<\/span><\/span><\/td>\n<\/tr>\n
1994<\/span><\/span><\/td>\n\u2019Co-realities\u2019, in: Nonlocated Online, Medien.Kunst.Passagen 4\/94, knowbotic research (Hrsg), Passagen Verlag Wien<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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2012 Tempor\u00e4re Pr\u00e4senzen – Freie Energien, in: Eindeutigkeiten Sprengen – Subverting Disambiguities, Shedhalle Z\u00fcrich 2010 huwwara, anybody looking in: My War, participation in an age of conflict, Fact Liverpool and Edith Russ Haus Oldenburg, catalogue KehrerOpaque Presence Manual of Latent Invisibilities, Andreas Broeckmann and knowbotic research, diaphanes 2009 my Black Cat in: Enter Action Digital […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-89","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":17,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages\/89\/revisions"}],"predecessor-version":[{"id":97,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages\/89\/revisions\/97"}],"wp:attachment":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/media?parent=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}