{"id":89,"date":"2012-09-22T08:30:39","date_gmt":"2012-09-22T08:30:39","guid":{"rendered":"http:\/\/tuchacek.net\/?page_id=89"},"modified":"2026-06-09T08:19:57","modified_gmt":"2026-06-09T08:19:57","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/tuchacek.net\/en\/bibliography\/","title":{"rendered":"bibliography"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2021<\/span><\/span><\/td>\n\u2028HOX Magazin No.01 contagious species – animal speaking dialogue #1\u20282012<\/span><\/span><\/td>\n<\/tr>\n
2012<\/span><\/span><\/td>\nTempor\u00e4re Pr\u00e4senzen – Freie Energien, in: Eindeutigkeiten Sprengen – Subverting Disambiguities, Shedhalle Z\u00fcrich<\/span><\/span><\/td>\n<\/tr>\n
2010<\/span><\/span><\/td>\nhuwwara, anybody looking in: My War, participation in an age of conflict, Fact Liverpool and Edith Russ Haus Oldenburg, catalogue KehrerOpaque Presence Manual of Latent Invisibilities, Andreas Broeckmann and knowbotic research, diaphanes<\/span><\/span><\/td>\n<\/tr>\n
2009<\/span><\/span><\/td>\nmy Black Cat in: Enter Action Digital Art Now, Aros Museum, Aarhus Kunstmuseum, catalogueBe prepared! tiger! in: El Angel de la Historia, Laboral, Centro de Arte, Gijon 2009, catalogue<\/span><\/span><\/td>\n<\/tr>\n
2008<\/span><\/span><\/td>\nNaked Bandit in: \u201cSynthetic Times\u201d, National Museum of China, Beijing; The MIT Press, Masachusetts, catalogueBe prepared! tiger! In: \u201cConspire\u201d, Transmediale Berlin, 2008<\/span><\/span><\/td>\n<\/tr>\n
2007<\/span><\/span><\/td>\nBlackBenzRace in: Kunst und \u00d6ffentlichkeit Kritische Praxis der Kunst im Stadtraum Z\u00fcrich Herausgegeben von Christoph Schenker und Michael Hiltbrunner, JRP|Ringier Z\u00fcrich <\/span><\/span><\/td>\n<\/tr>\n
2005<\/span><\/span><\/td>\nNaked Bandit in: Mapping new territories. Schweizer Medienkunst international = Art media suisse international = Swiss media art international. Basel, Christoph Merian VerlagAminima, volume12, new media actual art, BarcelonaSchnittStellen Herausgegeben von Schade, Sieber, Tholen. Basel <\/span><\/span><\/p>\n

aRt&D; Research and Development in Art, Ed. Anne Nighten, V2 Rotterdam<\/span><\/span><\/p>\n

Under Fire.2: The Organization and Representation of Violence, Ed. Jordan Crandall, Rotterdam: Witte de With<\/span><\/span><\/p>\n

Sarai READER 05: BARE ACTS, Editors: Monica Narula, Shuddhabrata Sengupta, Jeebesh Bagchi + Geert, Lovink Guest Editor: Lawrence Liang; Delhi [cc] Aminima, Madrid, Naked Bandit,<\/span><\/span><\/p>\n

Transcoding the sovereign, knowbotic research, Eigenverlag<\/span><\/span><\/td>\n<\/tr>\n

2004<\/span><\/span><\/td>\nLiebesgr\u00fcsse aus Odessa f\u00fcr\/for\/a Peter Weibel, Merve Verlag Berlin
\nKlangr\u00e4ume der Kunst, Peter Kiefer, Kehrer Verlag<\/span><\/span><\/td>\n<\/tr>\n
2002<\/span><\/span><\/td>\n\u201cCODES BAD GUYS SPACE\u201d in Transurbanism, ed. V2\/NAI, Rotterdam<\/span><\/span>\u201cConnective Force Attack\u201d, in Aussendienst, Hg. Kulturbeh\u00f6rde Hamburg, Modo Verlag Freiburg, Deutschland<\/span><\/span>\u201dUrban Agency- Making Interfaces inflammable\u201d in Designing for a digital World, ed. Neal Leach, Wiley-Academy, London Royal Architecture Institute<\/span><\/span><\/td>\n<\/tr>\n
2001<\/span><\/span><\/td>\nInteraction-artisctic practice in the network, ed. Eyebeam Atelier, Jorden Crandall, NY<\/span><\/span>\u201dF\u00fcr eine k\u00fcnstlerische Praxis mit Medien\u201d, in Kunst und Interkontextualit\u00e4t, Ed. B\u00fchler, Koch, Salon Verlag K\u00f6ln<\/span><\/span>\u201dIO_dencies\u201d in net_condition, Ed. Druckrey\/Weibel, MIT Press <\/span><\/span><\/p>\n

IO_dencies, questioning urbanity, CD_ROM, ed. KR\/HGKZ Zuerich<\/span><\/span><\/td>\n<\/tr>\n

2000<\/span><\/span><\/td>\n\u201cslamming\u201d in: Medien, Kunst, Interaktion (80er, 90er Jahre), Ed. Frieling, Daniels; ZKM Karlsruhe, Goethe InstitutWirksamkeitskonstruktionen, mit Andreas Broeckmann in: Heute ist Morgen, Ed. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland<\/span><\/span><\/td>\n<\/tr>\n
1999<\/span><\/span><\/td>\n\u201dIO-lavoro immatriale\u201d in: Offene Handlungsfelder, Open Practices, Ed. Peter Weibel, Ecke Bonk; DuMont Verlag K\u00f6lnKnowbotic Research in: Art at the turn of the Millenium; Riemschneider, Grosenik (Hg), Taschen K\u00f6ln<\/span><\/span>\u201dIO_Ruhrgebiet\u201d in: Connected Cities, Kunstprozesse im urbanen Netz, Lehmbruck Museum; Hantje Cantz Verlag (Ausstellungskat.)<\/span><\/span><\/td>\n<\/tr>\n
1998<\/span><\/span><\/td>\n\u201cIO_dencies, questioning urbanity\u201d in \u201cVirtual Dimension-Architecture, Representation and Crash Culture\u201d, Princeton Architectural Press, Ed. J. Beckmann<\/span><\/span>\u201cIO_dencies, questioning urbanity\u201d , Artlab Tokyo (Ausstellungskatalog)C. H\u00fcbler, Sprache und Wahrnehmung an Schnittstellen zwischen Maschinen und Menschen Gespr\u00e4ch; in: Sinn der Sinne, Schriftenreihe Forum der Kunst- und Ausstellungshalle Bonn (Hg.)<\/span><\/span><\/td>\n<\/tr>\n
1997<\/span><\/span><\/td>\n\u2018Dialogue with the Knowbotic South, in : Jenseits von Kunst, Peter Weibel (Hg.), Wien<\/span><\/span>\u2018Non-Locations \/ Event: Under Construction\u2019, in: Interfacing Realities Hrsg: V2, Rotterdam <\/span><\/span>\u2018The Urban as a Field of Action\u2019; in: Technomorphica, hrsg. v. V2, Rotterdam<\/span><\/span><\/p>\n

Discovering Cyber Antarctic, in: Digital Delirium, hrsg. v. A. und M-L. Kroker<\/span><\/span><\/td>\n<\/tr>\n

1996<\/span><\/span><\/td>\n\u2018Computer Aided Natur\u2019- Knowbots und Navigationen Hans Ulrich Reck und KR,; in: Lab 2, hrsg: KHM K\u00f6ln<\/span><\/span>\u2018Postorganic Immortality\u2019, in: \u2018die Zukunft des K\u00f6rpers\u2019 ,Kunstforum Bd 133<\/span><\/span>\u2018Virtuality and Subjektivity (mem_brane)\u2019, in: Revue virtuelle, Centre George Pompidou<\/span><\/span><\/td>\n<\/tr>\n
1995<\/span><\/span><\/td>\n\u2019Der Trick des Descartes\u2019; Klaus Peter Dencker und knowbotic research, in: Medienkunstpreis, ZKM<\/span><\/span><\/td>\n<\/tr>\n
1994<\/span><\/span><\/td>\n\u2019Co-realities\u2019, in: Nonlocated Online, Medien.Kunst.Passagen 4\/94, knowbotic research (Hrsg), Passagen Verlag Wien<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

2021 \u2028HOX Magazin No.01 contagious species – animal speaking dialogue #1\u20282012 2012 Tempor\u00e4re Pr\u00e4senzen – Freie Energien, in: Eindeutigkeiten Sprengen – Subverting Disambiguities, Shedhalle Z\u00fcrich 2010 huwwara, anybody looking in: My War, participation in an age of conflict, Fact Liverpool and Edith Russ Haus Oldenburg, catalogue KehrerOpaque Presence Manual of Latent Invisibilities, Andreas Broeckmann and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-89","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":17,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages\/89\/revisions"}],"predecessor-version":[{"id":2835,"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/pages\/89\/revisions\/2835"}],"wp:attachment":[{"href":"https:\/\/tuchacek.net\/en\/wp-json\/wp\/v2\/media?parent=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}